Copyright

The importance of technology transfer in holding together the links and processes of the global value chain tells us a lot about value accretion and control of the chains. The concept of the global value chain, especially as it is portrayed in documents like the Global Value Chain Development Report 2019 and in the 2020 World Bank’s Trading for Development in the Age of Global Value Chains is non-hierarchical.

The COVID-19 pandemic has raised salient questions about global intellectual property rights rules and their implementation at regional, sub-regional and national levels. These questions revolve around the tensions between private rights and the public interest. For example, how can governments employ flexibilities and other measures to facilitate access to pharmaceutical products including drugs, vaccines, test kits, personal protective equipment and related technologies? Or how can governments navigate the intersections of copyright and the right to education to promote access to educational materials for teaching and learning? Broader conceptual, practical, and institutional issues, foregrounded on fostering development-oriented intellectual property rights systems in the Global South, will be analysed from different perspectives.

Multi-Sided Music Platforms and the Law is a book that provides a well-informed, thorough and rigorous treatment of relevant legal issues from an African perspective, whilst never losing sight of the ‘broader picture’. As such, it is expected to benefit a diverse group of readers, as well as policy and law makers in Africa and abroad in tackling relevant legal conundrums effectively.

The book titled Multi-Sided Music Platforms and the Law: Copyright, Law and Policy in Africa is a timely contribution to literature in this era, with regards to the music boom in Nigeria and other parts of Africa and the existence of music platforms for entertainment as well as commercial purposes. There is a voluminous scholarship in this book on law and multi-sided platforms generally on one hand and copyright law specifically on another. The author focused on the legal and regulatory issues that arise from the use of copyright-protected content by multi-sided platforms in digital advertising.

According to Professor Caroline Ncube in the foreword, this book is an important and timely contribution to the discussion of music platforms and is the first work that considers multi-sided platforms from the perspectives of copyright, competition and privacy under South African and Nigerian laws.

For a region like Africa and other less affluent regions, much dependence is placed on the possibility of borrowing copyrighted works from friends and families for access by persons who cannot afford purchasing their own copies. If the first sale doctrine and its accompanying benefits for access to works “vanish”, dissemination of digital works by way of lending becomes restricted.